Beyond the ordinary

Golemic.

Golemic because it had been the quiet, artistic showcasing of their Jewish manager Brian Epstein that had initially shaped and moulded The Beatles into a supremely successful, magico-mystical golem entity. Quarry men clay became Rock God totems but after Epstein died in 1967, the Beatles’ golem began to disintegrate.

Gestalt

Gestalt because it had often taken all four Beatles to come together (no pun intended), before both they and then we could all discern that patterned vision of success, allowing them to see it for themselves one last time in early 1969 as demonstrated in the film Get Back (2021) and their late 1969 swansong album Abbey Road, facilitated by legendary record producer George Martin.

Foursquare

Group-think because McCartney recognised the Fab Four phenomenon as Foursquare, (four corners of a square which nearly always precluded outside colonisation of their musico-cultural oeurve), and Quantum because (as usual with The Foursquare Golem), they consistently produced a work of genius from often unpromising beginnings. Something from Nothing, (the conflating of zero and ones, - qubits in the quantum realm), the very description of a quantum-like, cultural event, culminating in the apogee of 60’s universal love.

Quantum

Since quantum physics is a science that studies and attempts to explain how everything in our material world comes into existence from beyond the nothingness of the nano-realm, the Labskausian something from nothing origins of all four Beatles creativity begins to make sense on its own terms.
As a microcosm of the broad based ‘sixties vibe, (both the more mainstream, consumerist culture and the later counter-culture), The Beatles’ undoubted reflection and shaping of all this, was only possible because of processes going on in the nano-realm of their brainwaves, both receiving and transmitting back the literal oceanic
soup of the collective unconscious from their global fan-base.